A “Knock-Out” Shoot for Przyborski & BrabenderCox

On September 14, 2011, in Uncategorized, by Glenn Przyborski


It’s like the story of David vs Goliath… only this time Goliath wins. It’s all from the crazy mind of political media superstar, John Brabender. The spot’s a visual metaphor for the unfair tax advantage a big internet business has over small local shops.

I shot the commercial using a RED One camera at Pittsburgh’s 31st Street Studios. At the rear of the 31st facility is the interior of an old industrial warehouse. A crew erected a full-sized, professional boxing ring as our set. We used 4 “space lights” over the ring as a primary light source. Numerous other HMI’s and other lights were used to highlight portions of the old steel warehouse.

I used the RED for most of the camera setups outside the boxing ring. The fighter’s “punches” were shot at 96fps. Inside the ring, I used a Panasonic AF100 for POV shots from both fighter’s perspectives. All the POV scenes were recorded at 40fps to add a “bigger than life” feel to the action. For several intense fight shots, I wore the primary boxer’s glove on my right hand and punched past the lens to the actor’s face for action cutaways. In case you’re wondering, it’s hard (and very unusual) to shoot a scene while you’re punching your actor.

Senior editor, Thad Christian of Pittsburgh’s, Phenomenon Post edited the high energy spot and created the original title graphics.

S&T Bank spot featuring Jerome Bettis

On April 21, 2011, in Uncategorized, by Glenn Przyborski

I used Panasonic’s new AF100 HDTV camera to shoot this commercial which features former NFL SuperStar Jerome Bettis. With the exception of the airliner cutaway, every scene was shot at 1080P using Canon FD series lenses. I shot the Airbus 319 airliner cutaway in the pouring rain using my smaller GH-2 camera. The spot was fun to shoot and the folks at Arnold Palmer Regional Airport in Latrobe, PA and Spirit Airlines from Ft. Lauderdale were very accommodating. Jerome Bettis always arrives on-set with a great attitude and gives 100% to the project. The commercial will air on numerous stations and cable systems in Western Pennsylvania.

Pittsburgh based Elias-Savion Advertising is S&T Bank’s advertising agency.

New Technology HDTV Cameras

On April 12, 2011, in Uncategorized, by Glenn Przyborski

Przyborski shoots with Panasonic's new AF100 HDTV camera

The biggest trend in commercial production is to create images with very shallow, film-like depth-of-field. This “look” was easy with 35mm movie film. As a general rule, the larger the film frame or imaging device, the “tighter” the depth-of-field and more selective the focus. This contrasts with previous HDTV digital cameras that achieved sharp focus throughout the entire frame.

 

Although I love film and have shot over 2,000,000 feet of it… today’s budget for a typical spot doesn’t have the luxury of $10K to $20K for 35mm film stock, processing, HDTV transferring and sync-ups.

Using “film-like” shallow depth-of-field to separate actors or products from a scene’s background can now be achieved with new, cost-effective cameras from Sony and Panasonic. They use large scale digital imagers that approximate the size of 35mm film negative. Since these cameras record to solid state memory, there’s no added size, weight or expense related a tape mechanism.

I recently shot a series of commercials with Panasonic’s new AF100. I love the fact that all my Canon and Nikon 35mm lenses work perfectly with this camera. Plus, it will shoot 1080P, true slow-motion at 60 frames-per-second. I don’t have a lot in common with James Cameron, but we both agree that professional cameras need to be smaller and lighter.  Technology marches on…

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