- About Przyborski Productions
- Demo Reels
- Misc Videos
- Introduction of 24P (from 2002)
- Images from a Summer Carnival
- River Rafting
- Scenes from a County Fair
- America Lost
- Moments@24fps (1997)
- Behind-the-Scenes Prop38 (2000)
- 1991 Pittsburgh Penguins
- Barth Bartholomae (1997)
- Behind-the-Scenes Pagetime (1998)
- Frontier Telephone (2000)
- Time Capsule: GNC 1992-1995
- Jimmy D
- Contact Info
Arena Football is a new entertainment concept in Pittsburgh, but considering the possibility of the NFL player lockout… it just might catch on.
There are several major films, including the latest Batman feature, who want to shoot in Western PA, but have been waiting for the Governor’s decision. In today’s complicated world of film finance, states bid against each other to see which can provide the biggest incentives to producers. Now the proposed budget has to be rammed through our state’s legislature.
Ray Tragesser & Dax Parise have teamed up to form UpperCut, a brand new post-production facility in downtown Pittsburgh. The facility is located on the 10th floor of #4 Smithfield Street. Ray has an amazing view of downtown and the Mon River from his edit suite.
Ray Tragesser was a Slippery Rock University intern working with Glenn Przyborski back in the late 80’s. Glenn could see that Ray liked working in production, but he loved post-production. Przyborski convinced Ray that he should follow a career path in broadcast editing.
Today, Ray Tragesser is one of the region’s most creative and most sought after commercial editors. All of us at Przyborski Productions wish Dax & Ray the best of luck with UpperCut!
Svetlana Maine is the senior art director at Eat ‘n Park and she’s now an American citizen. Svetlana, a graduate of the Art Institute of Pittsburgh, is from Russia. As an intern, her work ethic and unique flare for original design quickly became apparent to Eat ‘n Park’s Cliff Miller and Kevin O’Connell. She was offered and accepted a full-time position before graduation.
Svetlana designs the artwork for many of Eat ‘n Park’s in-store promotions and other printed materials. She also creates title graphics that are used on television commercials for item/price inserts.
On Feburary 18th, Eat ‘n Park’s entire marketing and advertising team crowded the Federal Courthouse in downtown Pittsburgh to witness Svetlana Maine become a citizen of the United States. Congratulations Svet!
With over 75 restaurants throughout Western Pennsylvania, Ohio and West Virginia, Eat ‘n Park called on Przyborski Productions to shoot their ongoing testimonial campaign. VP of Creative Services, Cliff Miller and Senior VP of Marketing, Kevin O’Connell worked with director/cinematographer Glenn Przyborski to establish a fun, free-spirited look and feel for the very successful marking campaign.
Glenn shoots the on-going, HDTV campaign using a specially modified Canon 5D digital camera. The camera’s extremely shallow depth of field yields an intimate portrait of Sarah and featured customers, while blurring background action.
Eat ‘n Park spots are always shot in busy restaurants, so it’s important that guests are not disrupted. Before dawn, dozens of ceiling lights are exchanged with special daylight bulbs. Powerful HMI’s are used outside to stream “daylight” into the restaurant. Przyborski also uses low power LED panels as fill light on featured customers.
Last year, Glenn Przyborski directed and photographed a multi-part web series titled, “Moving Numbers.” The show is a humorous look behind-the-scenes of a political campaign. “MN” has the look and feel of spontaneous reality, yet every line is scripted. The cast is from LA, NYC and Pittsburgh.
John Brabender (of BrabenderCox) created and wrote the series based on events and characters that he’s observed (and worked for) in dozens of real political campaigns.
Post-production is handled by Thad Christian and his talented staff at Pittsburgh’s Phenomenon Post. Episode 8 has recently been uploaded and is ready to screen. Before you watch #8, screen Moving Numbers episodes 1 through 7 to meet the disfunctional characters of the “Sanders for Senate” campaign. Click for series website.
This BrabenderCox, Arena Football ad began airing right before Christmas. Since then we’ve had several emails and phone conversations asking how it was done. The interesting thing is that many of the scenes aren’t either video or film… they’re a series of still photographs, blended together to form a moving sequence.
At night, Pittsburgh is not a very bright city. To create the super luminescent “glow” of the city at night. Glenn Przyborski shot many of the scenes as 1/2 to 1 second time exposures. Using an intervalometer attached to a modified Panasonic GH1 camera, Glenn shot approx 300 digital exposures per scene. Using After Effects, these sequences of digital still images were frame blended, re-sized, then converted into 1080P high-definition video.
Phenomenon Post, visual effects supervisor, Thad Christen and digital graphic artist, Danny Johnson painstakingly rotoscoped the various buildings and objects to create multiple traveling masks. These masks allow the lightning and storm footage to replace the sky and create the illusion of various lights being turned off. The moving blur of the running football player was an actor filmed in slow motion on green screen using a RED One camera at WQED’s studio.
An effect driven spot is greatly enhanced by sound effects. Michael Goodis created original sound design and other audio effects that help “sell” the visuals.
WVU Healthcare is the largest hospital system in West Virginia. Fahlgren Advertising of Columbus, Ohio created the marketing concept and Glenn Przyborski directed and photographed their latest broadcast ad campaign.
Przyborski’s projects are often loaded with high-energy effects, but the new WVUH campaign is a throw back to simpler times. The Fahlgren concept called for 9 key hospital doctors, nurses and administrators to do a couple honest, sincere lines of on-camera copy.
Sometimes the simplest concepts are logistically the most complicated. Doctors can only commit to short, specific time windows. Busy hospital locations are only available at certain times. Judy Gurchak and WVUH producer, Lori Savitch created a doable production schedule for the 2 day shoot. Working with Jay Coughlin and Heidi Specht, Przyborski shot “B-Roll” footage whenever there was a break in sync-sound filming.
Sync sound scenes were shot on a RED One camera and prime lenses. Most “B-Roll” cutaways were shot on a Sony F900R with Canon lenses and a modified Panasonic GH1 camera with Canon FD lenses. Our Pittsburgh based crew made extensive use of LED lighting fixtures to minimize power requirements in the busy hospital complex. Glenn edited the 60 second spot in 1080P at Przyborski Productions. Allen DiCenzo of Circa Music in Dublin created the original music track based on the Aaron Copland composition, “Simple Gifts”.
Did you know that Google… the world’s most popular search engine, is now in the business of TV advertising? Google has plans and the technology to sell and distribute TV spots on most of the major cable channels. With their service, there’s no need for media buyers or agency traffic people. If you go through all the info on their site… Google can actually recommend professionals to design and write your TV campaign and production companies (at almost any price level) to produce it. Here’s a link to a site where a guy actually tested the Google TV Ads service: http://masscontrolsite.com/blog/?p=71 After all, who knows more about the public’s viewing habits and personal interests than Google? If you work at an ad agency, watch all the Google videos and read the info from their site… You may be surprised. www.google.com/adwords/tvads/index.html#subid=branded-search